ewhightower

Posts Tagged ‘Musicals’

The Sound of Music: Act II, Scenes 5 – 7

In Uncategorized on June 28, 2014 at 9:16 pm

There’s a no cell phone / no tablet / no computer rule in the rehearsal space.

I broke it last night.

The reason for the rule is that it distances the cast and crew from one another; people spend all of their time buried in their devices. It’s certainly true: the cast of Spelling Bee at Berkeley Playhouse were all so connected that we didn’t necessarily connect as much as we could have. Who’s to say if we needed more in-person connection? It was a great production, one I am proud to list on my resume. But there were times backstage when, owing to my unpopularity in certain quarters of the world (home), I had no messages to respond to (or, more accurately, nobody was responding to my messages). As a result, I would accidentally begin one-sided conversations with the gentlemen in the dressing room, not realizing that they were hooked into their phones and wouldn’t be responding. This is something of which I was just as guilty when I would have some form of communication to which I could respond.

So the rule at Sierra Rep is one I fully embrace. I love it. And when I broke the rule last night, I was instantly chastised.

Here’s what happened: when I arrived, a question of trivia was raised that I could not immediately verify or refute, so I went to check Google right away, forgetting that there is no T-Mobile reception in Columbia, CA. So there it was: my phone couldn’t connect to the internet. But while I had it out, I wanted to look at the rehearsal schedule. For The Sound of Music.

“Hey, Edward? Could you put your phone away? Thanks.”

This from Scott Viets, Artistic Director of SRT and director of The Sound of Music. Utterly polite and professional.

“Oh! Of course, I apologize,” quoth I, turning the phone off and putting it away.

Boy did I feel like an assnugget. Haven’t felt that way in a while, and I’ll be honest: it stuck with me for a little bit. So I had to ask myself: why are you so stung by this? You knew the rule, you forgot, Scott was totally nice about it. What’s so special about you that you shouldn’t be reminded of the rule when it happens?

I couldn’t find an answer of any use, so I chalked it up to residual asshole on my part: the asshole who forgot the rule was still smarting from having been caught forgetting the rule. Ridiculous. Time to focus on the work. So I took my lines outside and started working on them.

Well, I started to take my lines outside. But as only those with regional reception can check their phones, everyone else is free to chat. So somewhere between the top of the stairs backstage and the stage door at the bottom of the stairs, I was shanghai’d into about ten conversations. By the time I made it outside, I had to pee. Then I was called to stage my portion of Act II, Sc. 6.

Gotta say: Act II, Sc. 6 is delicious for me. That is all.

After that was staged, I went outside and recorded my lines and blocking into my phone verbally, writing down what I’d missed as we staged it. After that, I went in to look for something and Drew asked if I’d like to run lines. So we ran his lines for a while, until he was called to stage something.

Which is when I went downstairs to find that Gretl’s dad had heard me say something about backpacking and had brought a map of the Carson-Iceberg/Emigrant & Mokelumne Wilderness Areas to show me where the best trailheads are.

He also told me where to get the map (Forest Service Office / Ranger Station), and where to find the Forest Service Office / Ranger Station (Greenley Road, Sonora).

Thus has my quest attained direction.

He even told me where there’s an awesome little cache in the woods, near a pond near a lake. That’s all I’m saying for now.

Something else splendid happened last night when I was sitting downstairs in the green room, but in order to tell you about it, I need to give a little backstory:

At the first read-through, I was sort of sitting across from Gretl. I made a joke about crocodiles. She just looked at me. Drew said to her, “You know what, I’m gonna give you a piece of advice: just don’t listen to anything he says. He’s very silly, and just about everything that comes out of his mouth is ridiculous.”

Now, that’s funny. And it might be true. But I’ve had someone tell a child actor that before, and the result was atrocious: when I played Guido in Nine, an actress said roughly the same thing to the kid playing Young Guido. So when he wouldn’t make eye contact with me AT ALL during the emotional climax / revelation of the show, I was trapped: this kid’s eyes were everywhere; floor, ceiling, wall, shoes, audience. I was trying to connect with a tiny Mad-Eye Moody, it wasn’t working, so I went to the director and asked him to talk to the kid. He said he would.

Next performance, nothing.

So before the performance after that I went to the kid and said, “Hey — did Ken talk to you?”

“About what?”

“Eye contact.”

“What’s that?”

“Well, you know how in the last scene I’m singing to you about how I need to go off on my own?”

“Yeah …”

“You know what would really help me, would be if you would just look me in the eyes when I sing that.”

“What? Why?”

“Because you’re staring all over the place and you’re supposed to be my younger self, and since I’m talking to you it would really help me, as an actor, if you would just look me in the eyes — nowhere but my eyes — when I’m singing to you. Can you do that?”

“I guess so …”

“It would help a lot.”

He kind of sidled away and I crossed my fingers, but at that night’s performance he was tracking international moth competitions. I went to the director and asked if he could talk to the kid again. Turns out he’d forgotten.

Still nothing in the performance after that, so I went back to the actress who’d originally told the little shit not to listen to me. I explained the situation, and she called him over and said, “Okay, you know what? When I said that about not listening to him, I meant if he was being silly. But when he’s asking you about acting stuff, it’s important.”

Right about then, the director walked in, with his checklist. At the bottom of the list I saw, as he came over to the kid, was the kid’s name. He took him aside and reinforced everything we’d been saying, and for that performance (the final performance), the little shit looked me in the eyes. I got what I needed (emotional connection), the waterworks started, it was incredibly moving. It was the best performance, by far, of the run.

Would have been nice if he’d talked to the kid, oh, I don’t know … weeks ago.

Back to the first readthrough for SOM: Drew told Gretl to ignore me, and I said, “Wait a minute, though: if I say the building’s on fire, or watch out for that open trap door, I’m not kidding.”

“Umm, no, in those cases you should pay attention,” he said.

But it was too late. At the second rehearsal, Gretl told Marta, “Don’t listen to anything he says, Uncle Max says he’s silly.

But last night, Gretl’s dad told me she’d made a three-mile hike with him, easy. So after we staged Sc. 6 and we were all leaving the stage, I said to her, “Hey, Ruby. I hear you hiked three miles recently. That’s awesome.”

She stopped, turning, about to step off the stage onto the single-step cube that we’re using as a convenient (if unsafe) stair. “What?” she said.

“I hear you went on a three-mile hike. That’s awesome. Well done,” I said.

She just looked at me, silent, then stepped down and went to her seat. I wrote it off.

Later, however, when I was in the green room talking with her dad and the kids were on break, she walked by and whacked me on the shoulder: a single pat, almost a smack, but it was a silent greeting, a hello, an acknowledgement. It said, you’re people, I get you, I trust you, hi. No eye contact, not a word spoken. Just a whack on the shoulder as she passed, looking for her snack.

The simplest and most meaningful gesture I’ve ever experienced in my life. Probably nothing to her.

In these times it was a powerful, unexpected, reassuring moment. I’m still trying to work out why.

All I know is, I’m delighted that I wasn’t buried in my phone, cut off from the world around me. The asshole who was upset at being reminded of a rule would never have noticed that gesture.

Good rule, Scott. Thank you.

Spelling Bee: First Rehearsal

In Theatre, Uncategorized on April 25, 2014 at 8:06 pm

March 8, 2014
Thoughts on my first rehearsal for The 25th Annual Putnam County Spelling Bee at Berkeley Playhouse, as dictated to my phone while moving my car during a break at rehearsal. I will include both what my phone perceived and my attempt at translation, followed by elucidation as needed. Enjoy.

“Thoughts on my first rehearsal for spelling bee Playhouse, largely based on well everything. The cast appears all to be under 30, possibly even under 25. I feel like a dinosaur. I’m wearing plaid vest red tie navy blue shirt weather double batch the next AM., is that matters is that I feel so old in this cast I think I could I’m old enough to be something simple father.”

The cast appears all to be under 30, possibly even under 25. I feel like a dinosaur. I’m wearing a charcoal plaid vest, red tie, navy blue shirt. Overdressed. Will have to slob it up over the next couple months. This is a new experience for me: I feel so old in this cast, I think I’m old enough to be their father.

“The directors very attractive.”

The director seems to be a lovely human being. That always helps. I say “seems” because I have made the mistake of believing first impressions in the past, and it did not turn out well for me. So, I’m cautious. But she really does seem to be awesome. Time will tell, and I will trust with a grain of salt.

“I’m determined to be on my best behavior in this cast, but generally that’s true of every cast I will try to come apart. At the moment always comes when I make jokes that actually, it doesn’t always come. But it could come. And since I suspect that the majority of my doctors last year for from 510, and specifically Berkeley California, then I am cautious about making jokes. So dot dot dot its tricky.”

I’m determined to be on my best behavior in this cast, but generally that’s true of every cast of which I become a part. And the moment always comes when I make jokes that upset or offend someone. It doesn’t always come, actually. But it could come. And since I suspect that the majority of my cast hail from the 510, and specifically Berkeley, California, then I am cautious about making jokes. So … it’s tricky. I always assume that Theatre People will get my jokes, will be entertained by my schtick. Apparently, however, I am an acquired taste. Having been attacked and vilified by complete strangers — in a Theatre group — on Facebook, I am cautious. I will try to stay silent, say nothing, interact with nobody. That is a very difficult challenge, because I’ve hardly left the house since last May. I feel a bit like Robinson Crusoe thrust into a garden party.

“Interesting the first two musical numbers reversed are considered group members in which I do not appear to sing it note I have spoken words with them and I suppose it was good that I was there, but. No focus is given to my aunts music is fun absolutely fine, not necessarily I’m entering the cafe close email goodbye.”

Interesting: the first two musical numbers we rehearsed are “group numbers” — in which I do not appear to sing a note. I have spoken words within one of them and I suppose it was good that I was there, but: thus far, no actual focus is given to my material in the music. Which is absolutely fine, we had a lot of material to cover. Panch does not sing anywhere within the score. I hope that we’ll get them nailed down before it gets stressful. I can already feel how peripheral I am to this production. I’m entering the cafe across the street to refresh my beverage before returning to rehearsal, so I will close this email and say goodbye.

***

Interesting to note how accurate some of this was.
As of this writing, we have two weeks left. The reviews are all stellar, and there are currently some cheap tickets available via Goldstar: http://www.goldstar.com/e/81887